| |
|
CHRIST PANTOKRATOR; CHRIST ENTHRONED
(After the prototype in Crete;
15th Century C.E.)
 |
Click on the image to see a larger version. |
The "Pantokrator" and its companion
piece, "The Hodegetria" were created as a pair of
icons, or “diptych” as gifts to the Cathedral from
the Iconography Institute, to commemorate Bishop Johncy Itty’s
Consecration as Oregon’s Ninth Bishop, on September 20,
2003, and his Cathedral Enthronement on September 21 of that
year.
This icon may correctly be referred
to by either of the two names in the title above. The term “Pantokrator” translates
to “Ruler of All” or “All Powerful” or “Lord
of Hosts” and is a common icon, found almost universally
in Orthodox Churches. Often, the Pantokrator occupies the entire
dome of a church over the altar. The Pantokrator is often shown
full-length, but also, frequently, half-length.
The earliest prototype version of this Pantokrator icon is
part of a “triptych” (a three-part icon, hinged
together) that pre-dates the 15th Century, C.E. and originating
in Palermo, Italy. In the mid-15th Century C.E. an unknown
iconographer in Crete, using the Palermo version as his basis,
created a similar prototype, the central part of which was
selected as the subject for this icon. The 3-part prototype
icon measured approximately 41cm. x 36cm. (16” high
by 14” wide) while its central portion was some 28cm.
x 18cm. (11” high by 7” wide.) This icon measures
36” high by 26.5” wide. Present locations of
both prototype icons are unknown.
The icon shows Christ enthroned and
vested in the Sacerdotal garb of an Orthodox Bishop. In some
prototypes Christ is shown
wearing the Byzantine “crown” or mitre, typical
of an Orthodox Bishop or Patriarch. In this image, Christ does
not wear crown or mitre. Orthodox Bishops traditionally wear
all the vestments that a priest would wear, plus a seamless
over-garment, or “saccos” representative of the
garment worn by Christ. In this icon, the saccos is covered
by small blue crosses. A Bishop also wears two “stoles”,
the “epitrachelion” of a priest (in this icon it
is red, under the saccos) and an “omorphion” – the
stole of a Bishop – over the saccos. The white omorphion
in this icon is also decorated with crosses, this time of gold.
Christ’s right hand (left to the viewer) protrudes from
the saccos, showing one of the two liturgical cuffs worn by
priests; His hand is held in the traditional “IC-XC” (the
abbreviation of "Jesus Christ" in Greek) style blessing.
Christ’s left hand holds the open Book of Gospels. It
is traditional to select any quotation attributable to Christ,
to be placed on the open Gospel’s page. Often, the donor,
or whomever commissions an icon, will choose some appropriate
quote. The symbols “Alpha” and “Omega”,
the first and last letters of the Greek alphabet, were selected
for this image because of the powerful statement that Christ
made with respect to the significance and infinite scope of
His Ministry "I am the Beginning and the End".
Note that on each side of Christ’s head are parts of
His abbreviated name. On the arms of the Cross in Christ’s
nimbus ("halo") are Greek characters, in abbreviation
of His statement “I am who I am”. (Ex. 3:14). The
throne, which is repeated in the "Virgin Hodegetria",
has finials on the ends of the back-rest; these finials are
done in a blood red and gold, symbolizing the flames of martyrdom
which many Bishops throughout history have had to endure. The
throne rests on a pure lapis-lazuli floor; the gemstone was
ground to a fine powder and mixed with a medium to create a
paint. This gemstone used in an icon always indicates Heaven
and pure gold represents Heavenly light.
There are twelve gemstones mounted
into the nimbus of Christ in this icon; they are those specified
as required to be on
the “Pectoral of Judgment” or “breastplate” of
Aaron, the Hebrew’s first High Priest. (Ex.28: 15-21)
The 12 pearls in the nimbus refer to the 12 gates of “New
Jerusalem” that are said to be pearls. (Rev.21: 21) Pearls
also symbolize wisdom and purity.
This symbolism of the twelve gemstones
was chosen by the iconographers to create a direct link between
Aaron, Judaism's first High
Priest - the first “Bishop” and Johncy Itty, Oregon’s
newest Bishop. The twelve stones are “…carnelian,
chrysolite, emerald, turquoise, sapphire, amethyst, jacinth,
agate, crystal, beryl, lapis-lazuli, jasper”. (Torah/Tanakh.)
Although there are some discrepancies in the names of the gemstones
cited in various Christian translations of the Bible, there
is a similar symbolic association of twelve gemstones in Rev.
21:10-21, where these same gems are listed as the foundation
stones for the City of the “New Jerusalem”.
Besides the 12 gems specified as being
on Aaron’s breastplate,
there are 12 Princes of Israel, 12 Tribes of Israel (representing
the whole of Israel) 12 sons of Jacob and 12 Chief Priests.
There are 12 Gates of “New Jerusalem”, the 12 pearls
that are those Gates and 12 foundation stones of “New
Jerusalem” (the same gems as are on Aaron’s breastplate).
There were, of course, also 12 Apostles.
In Hebrew tradition, the number 12 is representative of all
that is perfection and totality. The number 12 appears with
great frequency in both the Hebrew and Christian Bibles, including
the squaring of 12 (144) in reference to the multitudes saved,
in Revelation (Ch. 7). This squaring represents the quality
of absolute totality.
|
|